more Bass equals more towards Tweed, and less Bass equals more towards Vox. In terms of core voicing - I’ve described this before as sitting somewhere between a Fender Tweed Deluxe and Vox AC30 - while it doesn’t necessarily actually capture either of those tonalities exactly - but sits somewhere in-between, depending on how you apply the Bass control - i.e. The Preamp MKII is often defined as the Benson Preamp Pedal + CBA Condor + CBA Faves + Fuzz - which of course fuels the above visual. So the original Benson Preamp Pedal is capable of a little more low-end depth. It’s output frequency profile has been slightly tweaked as Joel decided to shelve some of the sub-bass frequencies to prevent unwanted sag and low-end muffle. I still get the occasional reader query/inquiry about this pedal - asking me if I think it’s worth it - and the short simple answer is if you can afford it then yes this should be top of your gain pedals acquisition list! And while very much based on Chris Benson’s Preamp Pedal - a transistorised version of his 30W Chimera Tube Amp - this is not exactly the same thing. A product engineer is already hard at work on a transparent latched lid add-on - which I will most definitely be getting when it’s finally released as a third party accessory. Obviously it’s a pricey proposition, a little large, and a little fragile and porous around the sliders - but those are very minor niggles within the scale and scope of everything this device delivers. I though still felt that I had to touch on one of the best executed and innovative gain pedals of all time as it would be unforgivable for me not to do my own take on the subject. It's a truly inspiring box that will serve you well forever.There’s not much more that really needs to be said about the Chase Bliss Audio Automatone Preamp MKII (Boost + EQ + Overdrive + Fuzz + Preamp) that hasn’t been said already - it’s every bit as good as everyone says it is. The Gravitas is capable of many classic tremolo sounds, from simple volume modulation to brownface-style harmonic trem. The DIP switches also help govern the expression/CV control, along with many other options. There's also a Tap switch, which works in conjunction with the subdivisions toggle, as well as two user presets, external tap jack and expression pedal control. Volume, Tone and Rate round out the controls. You can also use this one knob to control up to five different parameters simultaneously. You might notice there's a knob labeled Drive AND Ramp the Drive is the gain of the aforementioned boost circuit, and the Ramp, the secondary function, is accessible via the horde of DIP switches on the rear of the pedal. These four controls can take tremolo to heights never before experienced. The wave shape switches are still there, and the two knobs are Depth and Sway. The signal path is 100 percent analog, only the controls are digital.Ĭhase Bliss then applies its innovative ModuShape controls to tremolo, an effect that certainly benefits from it. Sorry about that.įor starters, a discrete class A preamp circuit sits in front of the tremolo section, followed by Analog Devices AD823 op-amps for pristine tonal clarity. It's called the Gravitas, and your other tremolos are obsolete. Now, tremolo is getting the Chase Bliss treatment. First, vibrato got "the treatment" with the Warped Vinyl, and then phasers got it with the Wombtone. The Chase Bliss Audio treatment is a great one.
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